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Wild West Train VideoWild West
The Wanderer Engine no 5. Track 6 is the steam locomotive train that serves as the base of operations for James West and Artemus Gordon.
The engine a American was built by Mason Locomotive Works in and is currently the oldest operating steam locomotive in the United States.
It was returned to the museum in the fall of and was under steam in Baltimore, Maryland in April and September of still wearing its movie livery name "Wanderer".
The two cars of West and Gordon's Train were constructed especially for the movie. Total cost was reportedly 1. For the interior shots the cars were assembled on gimbals on a Warner Brothers soundstage with a blue screen backing up the windows for visual effects to be added in later.
The sets were then disassembled and remounted on real railroad flat cars for use with the "Wanderer" on location in New Mexico. Extensive filming was done there with stars Will Smith and Kevin Kline.
Later the train was shipped to Idaho for exterior filming with the second unit on the Grangeville Line of the Camas Prairie Railroad. The "Wanderer" is loaded with secret weapons and devices as well as a laboratory for Artemus Gordon's experiments, inventions and wardrobe of disguises.
Spinning pool tables and armchairs that disappear into the car's floor, hidden weapons racks and lamps concealing Gatling Guns are only some of the gadgets reported to be in "Wanderer"'s arsenal; all designed by Artemus Gordon.
The interiors were carefully crafted to recreate the splendor of the Palace Cars of the era. Rich mahogany and other rare woods, beveled mirrors and custom woven carpets.
The Varnish Car features a parlor with banquette dining area and piano-bar, a galley for cooking, stateroom for sleeping quarters and a water closet with sink and commode.
The Gramophone conceals the Telegraph Apparatus, and pulling one of the pool cues in the rack provides access to the Winch for the Trans-Carriage Egressor.
The Laboratory Car contains an extensive workshop-lab, a wardrobe room as well as a stable compartment equipped with horse stalls and storage for Gordon's "Nitro-Cycle".
Two other trains were also used on location on the film. The ex-Virginia and Truckee locomotives No.
Jim Clark served as Train Coordinator for the production, arranging for rail equipment and its transportation to various film locations.
The Train is first seen when James West tries to catch up with it on his horse begging for Artemus Gordon to stop the train.
West manages to get on board using the catapult gadget. He intends to start a fight with Gordon but Gordon does a dance and presses a button causing West to be hit by a mallet and falling on the pool table before it rotates to under the train.
West retaliates by pulling on a lever that causes Gordon's chair to rotate under the train as well. The Train's engineer Coleman saves the two and warns that if they harm his train he'll dust them like dogs.
Coleman then asks where they should head to and West tells him New Orleans. In Gordon's quarters, he shows West the decapitated head of the murdered scientist Professor Thaddeus Morton , who was killed by a flying disk with blades around it in the Louisiana Wilderness.
Gordon uses Morton's head attached to a projector to view his last consciousness before he died. They use the image to see that he has an invitation in his pocket about a costume ball at Dr Arliss Loveless 's mansion in New Orleans.
Later on West and Gordon discuss ways to enter the party and West claims that he wants to go kill McGrath as he suspected that he was responsible for the massacre at New Liberty Illinois.
Gordon claims that the art of disguise is what they need to infiltrate he party in order to search for the missing scientists before they are forced to create something that will destroy the United States.
They make Coleman take them there immediately and leave Rita behind as they can not give her a ride to her home in Texas.
Rita however catches up with them by using the same catapult that West used earlier to get on board the Train. Rita asks to accompany them to save the scientists one of whom is her husband from Loveless.
Gordon shows Rita the Wanderer's gadget a billiard ball and if you press the number it becomes a sleeping gas bomb effective in under three seconds.
West also gives Rita something to wear while she sleeps. The State of Nevada purchased the Inyo in ; it was restored to vintage, including a wider smoke stack and a new pilot cow catcher without a drop coupler.
The express car No. For its role as "The Wanderer" in the film, the engine was sent to the steam shops at the Strasburg Rail Road for restoration and repainting.
The Wild Wild West featured numerous, often anachronistic, gadgets. Some were recurring devices, such as West's sleeve gun or a breakaway derringer hidden in his left and right boot heels.
Others appeared in only a single episode. The main title theme was written by Richard Markowitz , who previously composed the theme for the TV series The Rebel.
He was brought in after the producers rejected two attempts by film composer Dimitri Tiomkin. That took it away from the serious kind of thing that Tiomkin was trying to do What I did essentially was write two themes: the rhythmic, contemporary theme, Fender bass and brushes, that vamp, for the cartoon effects and for West's getting himself out of trouble, and the heraldic western outdoor theme over that, so that the two worked together.
Markowitz, however, was never credited for his theme in any episode; it is believed [ by whom?
Markowitz did receive "music composed and conducted by" credits for episodes he'd scored such as "The Night of the Bars of Hell" and "The Night of the Raven" or where he supplied the majority of tracked-in cues for example in "The Night of the Grand Emir" and "The Night of the Gypsy Peril".
He finally received "theme by" credit on both of the TV movies, which were scored by Jeff Alexander rather than Markowitz few personnel from the series were involved with the TV movies.
The animated title sequence was another unique element of the series. The screen was divided into four corner panels abutting a narrow central panel that contained a cartoon "hero".
In the three seasons shot in color, the overall backdrop was an abstracted wash of the flag of the United States , with the upper left panel colored blue and the others containing horizontal red stripes.
Each episode had four acts. At the end of each act, the scene, usually a cliffhanger moment, would freeze, and a sketch or photograph of the scene faded in to replace the cartoon art in one of the four corner panels.
The style of freeze-frame art changed over the course of the series. In all first-season episodes other than the pilot, the panels were live-action stills made to evoke 19th-century engravings.
In season two the first in color the scenes dissolved to tinted stills; from "The Night of the Flying Pie Plate" on, however, the panels were home to Warhol -like serigraphs of the freeze-frames.
The end credits were displayed over each episode's unique mosaic of scenes. In the final season, however, a generic design was used under the end credits.
Curiously, in this design, the bank robber is unconscious, the cardsharp has no card and the lady is on the ground, but the sixshooter in the upper left-hand panel has returned.
The freeze-frame graphics were shot at a facility called Format Animation. During the first season, the series title "The Wild Wild West" was set in the font Barnum,  which resembles the newer font P.
In subsequent seasons, the title appeared in a hand-drawn version of the font Dolphin which resembles newer fonts called Zebrawood, Circus, and Rodeo Clown.
Robert Conrad's name was also set in this font. Ross Martin's name was set in the font Bracelet which resembles newer fonts named Tuscan Ornate and Romantiques.
All episode titles, writer and director credits, guest cast and crew credits were set in Barnum. The series is generally set during the presidency of Ulysses S.
Grant from —77; occasional episodes indicate a more precise date:. Some episodes were considered violent for their time and that, rather than low ratings ultimately was the series' downfall.
In addition to gunplay, there were usually two fight sequences per episode. After Conrad suffered a concussion falling from a chandelier in "The Night of the Fugitives," the network insisted that he defer to a stunt double.
Often, George would start a stunt, such as a high fall or a dive through a window, then land behind boxes or off camera where Conrad was hidden and waiting to seamlessly complete the action.
It was hazardous work. Hughes recalled, "We had a lot of crashes. We used to say, 'Roll the cameras and call the ambulances! Robert Conrad: 6-inch fracture of the skull, high temporal concussion, partial paralysis.
Ross Martin: broken leg. A broken skull for Red West. Broken leg for Jimmy George. Broken arm for Jack Skelly. And Michael Dunn: head injury and a spinal sprain.
He did his own stunts. And on and on. Following the assassinations of Dr. Martin Luther King and Robert F.
One of the questions it tackled was if violence on television was a contributing factor to violence in American society. This also included graphic news coverage of the Vietnam War.
The television networks, anticipating these allegations, moved to curtail violence on their entertainment programs before the start of the season.
However, despite a CBS mandate to tone down the mayhem, "The Night of the Egyptian Queen" aired November 15, contains perhaps the series' most ferocious barroom brawl.
A later memo attached to the shooting script of "The Night of Miguelito's Revenge" aired December 13, reads: "Note to Directors: The producer respectfully asks that no violent acts be shot which are not depicted in the script or discussed beforehand.
Most particularly stay away from gratuitous ad-libs, such as slaps, pointing of firearms or other weapons at characters especially in close quarters , kicks and the use of furniture and other objects in fight scenes.
James West rarely wears a gun in these episodes, and rather than the usual fisticuffs, fight sequences involved tossing, tackling or body blocking the villains.
The most caustic of the commissioners, Rep. Hale Boggs D-La. Three months later, in March , Sen. John O. Pastore D-R. Congress's concern was shared by the public: in a nationwide poll, After being excoriated by the two committees, networks scrambled to expunge violence from their programming.
The Wild Wild West received its cancellation notice in mid-February, even before Pastore's committee convened. It was seen by the network as a gesture of good intentions.
Conrad denounced Pastore for many years but in other interviews he admitted that it probably was time to cancel the series because he felt that he and the stunt men were pushing their luck.
He also believed the role had hurt his craft. I jumped off roofs and spent all my time with the stuntmen instead of other actors. I thought that's what the role demanded.
That role had no dimension other than what it was—a caricature of a performance. It was a comic strip character. It was reasonably popular but has not been seen on British terrestrial television since the early s.
Curiously, none of these featured Dr. CBS-TV was never really very eager to cancel this series, since over a four-year run that began in the Wild Wild West had been a solid winner in the ratings.
Cancellation came mainly because CBS officials were concerned about the criticism over televised violence and to a lesser degree because Robert Conrad had grown slightly weary of the role of James West.
None of the replacements have done nearly as well and, as a result, all of the Friday programs suffered. That fall, CBS put the program into syndication , giving it new life on local stations across the country.
This further antagonized the anti-violence lobby, since the program was now broadcast weekdays and often after school.
The suit said the series "contains fictionalized violence and horror harmful to the mental health and well-being of minor children", and should not air before 9 pm.
Corporan, was quoted as saying, "Since programs directed specifically at children are broadcast in the late afternoon by three other TV stations, it is our purpose to counter-program with programming not directed specifically at children.
Court of Appeals upheld the district court decision dismissing the suit on the grounds that FIT had not exhausted the administrative remedies available to them.
By then, WTOP had stopped broadcasting the series altogether. In Los Angeles, such shows opened with a cautionary announcement: "Parents — we wish to advise that because of violence or other possible harmful elements, certain portions of the following program may not be suitable for young children.
By then The Wild Wild West was running on 99 local stations. By the spring of the original series was still carried on 74 local stations.
In the late s the series was still seen on local stations in Boston, Hartford, Philadelphia, Pittsburgh and Los Angeles, among other cities.
Significantly, WGN Chicago , which carried the show at 10 a. The series was dropped from WGN soon after.
Hallmark Channel aired the series in as part of its slate of Saturday afternoon Westerns but dropped it after only a few weeks.
While the series became scarce on television, each season was released on DVD, beginning with season one in and concluding with the final season early in see below.
In it was announced that the series was being prepped for Blu-ray. On January 1, , MeTV began running the series weekday afternoons again, starting with second season color episodes.
It no longer airs on MeTV as of September It also airs in the United Kingdom as of on the Horror Channel on Sky channel , Virgin channel , Freeview channel 70 and Freesat channel Michael Dunn, who played Dr.
Loveless in the original show, had died in Loveless planned to substitute clones for the crowned heads of Europe and the President of the United States.
This plot is similar to the second-season episode "The Night of the Brain", which featured a different villain. Most of the exteriors were filmed at Old Tucson Studios where there are western sets and a functioning steam train and tracks.
Ross Martin said, "We worked on a lot of the same sets at the studio, including the interiors of the old train. The script, unlike the old shows, is played strictly for comedy.
It calls for us to be ten years older than when we were last seen. There are a lot more laughs than adventure. This explains why the story begins with various clones of Paradine being murdered; the first film ends with word that Loveless had cloned himself five times.
Paradine planned world conquest using a formula for invisibility, recalling the first-season episode "The Night of the Burning Diamond".
Both films were directed by veteran comedy Western director Burt Kennedy and written by William Bowers in the latter case with Tony Kayden, from a story by Bowers ; neither Kennedy nor Bowers worked on the original series.
Beauchamp of a short story by Beauchamp. Conrad was later quoted in Cinefantastique about these films: "We all got along fine with each other when we did these, but I wasn't happy with them only because CBS imposed a lot of restrictions on us.
They never came up to the level of what we had done before. Warner Bros. Donner had directed three episodes of the original series. In , as the film was still being developed with other directors, writers and stars, Gilbert Ralston, who wrote the TV pilot, sued Warner Bros.
Ralston died in before his suit was settled; however, Warner Bros. In , a theatrical feature-length film co-produced and directed by Barry Sonnenfeld was released as Wild Wild West without the definite article used in the series title.
Loosely based on the original series, the film re-imagined James West as a black man played by Will Smith , and Artemus Gordon played by Kevin Kline was portrayed as egotistical and bitterly competitive with West.
Significant changes were also made to Dr. Loveless played by Kenneth Branagh. No longer a dwarf, he was portrayed as a legless double amputee confined to a steam-powered wheelchair similar to that employed by the villain in the episode "The Night of the Brain".
Loveless, whose first name was changed from Miguelito to Arliss, was a bitter Southerner who sought revenge on the North after the American Civil War.
Robert Conrad was reportedly offered a cameo as President Grant but turned it down when the producers wanted him to read for the part. He was outspoken in his criticism of the film, which was now a comedic showcase for Will Smith with little in common with the original series.
He was not opposed to casting a black actor as Jim West: "The African-American casting of that role is probably and should not be an issue," Conrad said.
I appreciate his popularity. However, I'd prefer an actor with more athletic prowess. He's a good comedian but just not my choice to play my role.
Best would be a Wesley Snipes body with a Denzel Washington head. I said, 'Why are we going in this direction. Why not just play James West black without explaining it?
Loveless, and he was by far the best villain on the show," Conrad said. He also had a long-standing feud with producer Jon Peters. Conrad later took special delight in accepting the Golden Raspberry Awards for the film in I made a mistake on Wild Wild West.
That could have been better. And now I get it. It's like, 'That's my baby! I put my blood, sweat and tears into that!
Conrad for that because I didn't realize. I was young and immature. So much pain and joy went into [my series] The Fresh Prince that my greatest desire would be that it's left alone.
Although it was touted as a special 40th anniversary edition, it appeared 41 years after the show's debut. Robert Conrad recorded audio introductions for all 28 first-season episodes, plus a commentary track for the pilot.
The second season was released on DVD on March 20, ; the third season was released on November 20, ; and the fourth and final season was released on March 18, None of the later season sets contained bonus material.
A disc complete series set was released on November 4, On May 12, , CBS Home Entertainment released a repackaged version of the complete series set, at a lower price, but did not include the bonus disc that was part of the original complete series set.
All of the episodes are presented in English with French subtitles, and several episode titles differ in translation from the original English titles.
Both TV movies are included as extras, but only in French-dubbed versions. A sequel to the TV series, it involved Dr. Loveless in a conspiracy to assassinate President Grant and the President of Brazil and put the Knights of the Golden Circle into power.
The characters of Voltaire and Antoinette were prominent here, despite their respective early departures from Dr. Loveless' side in the original program.
A review from the Mile High Comics site states: "This mini-series perfectly captures the fun mixture of western and spy action that marked the ground-breaking s TV series.
President Lincoln states his famous quip that, if General U. Grant is a drunk, he should send whatever he's drinking to his other less successful generals.
As with many television series, The Wild Wild West had several merchandise tie-ins during its run. These are listed below.
I watched both in syndication in the '70s. Wild Wild West was really interesting, that combination of genres—a Western and secret agent, and they dabbled in the occult and paranormal.
I really wanted to do a new version for CBS. I still think it's a great property. Someday I hope to go back to it. A fan-produced webseries titled Back to the Wild Wild West began production in November , but apparently has been stalled.